Artistry

A decade spent looking
closely at skin

Black and white portrait, arm resting across the forehead

Approach

Years working across commercials, campaigns and editorial, the brief was often the same: make the skin look like skin. It is harder than it sounds.

That attention to skin became a curiosity of its own, eventually leading me to formulation.

The approach has remained simple: prepare the skin, correct sparingly, and preserve what makes each face its own.

Close black and white portrait with freckles and loose hair
Colour portrait with hands framing the face, natural skin
Black and white portrait with a finger resting at the lips

Editorial, campaign and private bookings are considered on a limited basis. Please write with dates, location and a short note on the work.